“…Milne and Delbecq passed repetitive rhythmic motifs between each other like a tag team, allowing the other to take some space to evolve solo passages of recondite beauty.”

“But perhaps most fascinating was how seamlessly they picked up and completed each other’s music phrases, often passing them back and forth a dozen times in a few short minutes.”

“…Crystal Magnets’ otherworldly mix of fluidly improvised melodies and percussive prepared-piano textures is already an entirely unique and fascinating sound.”

“In the end, it’s really about using the broader capabilities of the piano, more like an orchestra, with the prepared effects sometimes reminding you of other instruments, such as a marimba.”